
| Review of Episode 18, Season 2
"Dead End" Evil has a whole new hand in the mix! This week we get back to the evil doings of Wolfram & Hart and perhaps for the first time actually see how the Firm works in the everyday world. Whether it be with corporate takeovers, cancer causing industry litigations or bond dealings on the black market our team of malevolent lawyers are putting their best fist forward. As yet again, it's re-evaluation time for our special teams project team. Lilah and Lindsey are at their bickering, backstabbing best here and in an odd sense shows how well they work together even through their juvenile one-upmanship. They do compliment each other in more ways than one and it's enjoyable to watch how these two actors [ Stephanie Romanov and Christian Kane] play off each other. It's the subtlety of timing and innuendo as well as the little eye gestures that make you believe they really connect here. Charisma Carpenter turns in another wonderful performance as she struggles through the not-so-fun experience of Vision Aftermath. We also get a hint that there may be more trouble in store for our vision-girl. The stress and strain of her connection to the Powers That Be are taking its toll and Charisma shows that there is a dramatic side to Cordy who has the determination to gut this out where once a whining and bitchy Cordy may have stuck her thumb to the highroad. The character dynamic is taking hold and is very believable so we can only imagine greater scenarios to come for her! Angel finds himself in a unique crossroad with Lindsey. Already having saved him once last season and then removing his hand, Angel has a chance to continue his new bonding process. Obviously the highlights here are the Angel/Lindsey interactions. First as combatant rivals for the vocal limelight, then as bickering children and finally as comrades. The comedy being Angel's reaction to Lindsey singing and the subsequent responses from his troupe, 'Shhhh!' Lindsey not accepting the fact they need to work together as he rants and flailing his evil hand which is physical brilliance on Chris's part. And finally, letting Angel know that Lindsey does care on some level, enough to give Angel a tip on dealing with W&H. The entire episode well played out here. It's about time Lindsey got a new appendage, but at what price. There's a nice twist as well as Greeny provides an out for our lawless lawyer gone conscience seeking. In the first two acts we think that the hand is of a demonic nature, after all this is W&H we're dealing with. But as Lindsey discovers the truth of his hand's origin, the 'Kill' evilness turns into 'Kill me' compassion. This isn't the first time Lindsey has felt the actions of the Firm have been out of hand and Lindsey takes advantage, "I've got evil hand issues!" Chris does an outstanding job of taken what W&H can dish out and showing he has the upper hand in the matter by walking out on them but not before his evil hand grabs Lilah's ass. Fun Note: The song, which Christian Kane sings at Caritas, is entitled 'LA' and was written by David Greenwalt showing us that not all the extra-curricular talent lies with the actors! AND, in the scene where the delivery man arrives with Angel and Cordy's lunch, you never see the actor but you do hear his reply when Angel tell him to 'keep the change.' "Wow, a whole dollar just for me. I'm the luckiest delivery man ever." The voice is none other than, executive producer, David Greenwalt! I give it... |
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Nathan: And the current status of Angel? Lindsey: Angel? He's up, he's down, he's good, he's bad; he's a barrel of damn monkeys. Wesley: Let's start by calling the hospitals. Angel: How's she doing? Angel: (To Cordelia) Hey. Boy, I mean you can see your reflection in that glass. I mean, I couldn't cause of the whole vampire situation. But a normal person. Whew. Angel: Keep the change. Cordelia: What's all this? Gunn: (holding bloody piece of molding) Little piece of molding they missed up under the pantry. Wanna sniff? Angel: There's only one thing we can do now. Cordelia: You should pick something short. Angel: What is that? Rock, Country, Ballad? Pick a style, pal. Lindsey: I need help. Lindsey: What are you doing here? Angel: (to parole officer) Why would I kill you when I can live off of you for a month? (To Lindsey) Can't you just taste the butter fat? Lindsey: You know, I know your Mr. Save-a-Soul now, but at least you used to throw down with your enemies, what do you want to do now, you want a share? Lindsey: Lilah, please. They chose me. I'm clearly the guy. Angel: I'm just here to say Bon Voyage and don't come back. |